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	<title>Richard Millwood &#187; digital creativity</title>
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	<link>http://blog.richardmillwood.net</link>
	<description>A new learning landscape</description>
	<lastBuildDate>Wed, 21 Jul 2010 15:28:22 +0000</lastBuildDate>
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		<title>Dimensions in creative work</title>
		<link>http://blog.richardmillwood.net/2010/07/21/dimensions-in-creative-work/</link>
		<comments>http://blog.richardmillwood.net/2010/07/21/dimensions-in-creative-work/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 15:28:22 +0000</pubDate>
		<dc:creator>Richard Millwood</dc:creator>
				<category><![CDATA[Digital Creativity]]></category>
		<category><![CDATA[digital creativity]]></category>

		<guid isPermaLink="false">http://blog.richardmillwood.net/?p=246</guid>
		<description><![CDATA[In talking about the issues of user-generated content with friends Stephen and Joy recently, Stephen reminded me of this presentation slide I used to show in 2004 in the context of a growing movement to engage children in the filming and composition of digital video. The push by specialists such as the British Film Institute [...]]]></description>
			<content:encoded><![CDATA[<div><a href="http://blog.richardmillwood.net/wp-content/uploads/2010/07/dimensions-of-creativity.jpeg"><img class="alignnone size-full wp-image-247" title="dimensions-of-creativity" src="http://blog.richardmillwood.net/wp-content/uploads/2010/07/dimensions-of-creativity.jpeg" alt="" width="640" height="480" /></a></div>
<div>In talking about the issues of user-generated content with friends Stephen and Joy recently, Stephen reminded me of this presentation slide I used to show in 2004 in the context of a growing movement to engage children in the filming and composition of digital video.</div>
<div>The push by specialists such as the British Film Institute was to teach film technique, to be methodical, to learn ‘film language’ and essentially to be equipped to make compelling feature films. My feeling was that encouraging creativity and the arts demanded a rather more diverse approach.<br />
With regard to <strong>audience</strong>, it seemed to me that an artist may well be concerned to articulate their ideas to an audience, on the other hand they may not care what the audience thinks, but simply please themselves in a deliberate (or naïve) break from tradition and justify it as art for art’s sake and true to their calling. I am not an art historian, but this is somewhat the realm of the modernist.<br />
From Wikipaedia:</div>
<blockquote>
<div>“The most controversial aspect of the modern movement was, and remains, its rejection of tradition. Modernism&#8217;s stress on freedom of expression, experimentation, radicalism, and primitivism  disregards conventional expectations. In many art forms this often meant startling and alienating audiences with bizarre and unpredictable effects, as in the strange and disturbing combinations of motifs in surrealism  or the use of extreme dissonance and atonality  in modernist music. In literature this often involved the rejection of intelligible plots or characterization in novels, or the creation of poetry that defied clear interpretation.”</div>
</blockquote>
<div><strong>Narrative</strong> on the other hand relates to the structural-temporal purpose of an art form &#8211; whether to tell a story which maps roughly on to our life experience of sequenced events or to simply effect a reaction, inspire an idea or evoke a feeling. Clearly a film intended for the latter purposes need not conform to traditional ‘film language’, although it might benefit it.</div>
<div><strong>Control</strong> is about viewing an art form in a sequence determined by the author or on the other hand through choices made by the audience. The former could be a film in the cinema, the latter an interactive game or a web-site. Digital video which forms part of a ‘navigated’ experience may owe nothing to traditional film techniques, and make new and less well-known demands of the author.</div>
<div>The bottom line is that it pays to be open minded about the purpose of creative work and at least discuss these choices when introducing new technologies to young people. If they choose to be on the left hand end of each of these dimensions, then it will pay them to develop some film language skills &#8211; perhaps at the excellent <a href="http://www.mediaedwales.org.uk/products/filmsense/">Filmsense website</a> created by <a href="http://www.mediaedwales.org.uk/">Media Education Wales</a>.</div>
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		<title>Content is muck</title>
		<link>http://blog.richardmillwood.net/2008/11/24/content-is-muck/</link>
		<comments>http://blog.richardmillwood.net/2008/11/24/content-is-muck/#comments</comments>
		<pubDate>Mon, 24 Nov 2008 23:29:02 +0000</pubDate>
		<dc:creator>Richard Millwood</dc:creator>
				<category><![CDATA[Digital Creativity]]></category>
		<category><![CDATA[Inter-Disciplinary Inquiry-Based Learning]]></category>
		<category><![CDATA[cetis-2008-challenge]]></category>
		<category><![CDATA[digital creativity]]></category>
		<category><![CDATA[ideas]]></category>
		<category><![CDATA[learning]]></category>
		<category><![CDATA[online community]]></category>

		<guid isPermaLink="false">http://blog.richardmillwood.net/?p=97</guid>
		<description><![CDATA[I have been reading  the report &#8216;On-line Innovation in Higher Education&#8216; submitted by Sir Ron Cooke to John Denham recently and I&#8217;m not impressed. It seems to be but a variation on the &#8216;content is king&#8217; theme and, by its own standards, seems to miss many points. The title of this blog &#8216;Content is muck&#8217; [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" src="http://blog.richardmillwood.net/wp-content/uploads/2008/11/muck.jpg" alt="muck" /></p>
<p>I have been reading  the report &#8216;<a title="On-line Innovation in Higher Education" href="http://www.dius.gov.uk/policy/documents/online_innovation_in_he_131008.pdf">On-line Innovation in Higher Education</a>&#8216; submitted by Sir Ron Cooke to John Denham recently and I&#8217;m not impressed.</p>
<p>It seems to be but a variation on the &#8216;content is king&#8217; theme and, by its own standards, seems to miss many points.</p>
<p>The title of this blog &#8216;Content is muck&#8217; is intended to disparage this approach and at the same time recognise the importance of high quality, accessible content as a fertiliser for the growth of knowledge amongst learners.</p>
<p>Probably most critical is the following:</p>
<p><strong>&#8220;2.5 The education and research sectors are not short of strategies but a visionary thrust across the UK is lacking.&#8221; p8</strong></p>
<p>So where in this document is a vision outlined &#8211; where is it to come from? I (and many others) would be happy to offer one! But seriously, this is the moment and little here is visionary.</p>
<p>These further quotations from the document raised a range of issues:</p>
<p><strong>&#8220;1.1 [..] We lag behind in generating and making available high quality modern learning and teaching<br />
resources. [..]&#8221; p3</strong></p>
<p>The difficulty I have with this is the way in which we go about catching up. We should be careful not to spend too much money on material which becomes out-of-date within a year, is specific to particular courses, contexts and levels or fails to enhance the creative rôle for the learner in developing their own knowledge.</p>
<p><strong>&#8220;3.15 [..] diagram [..] showing areas where students are currently pushed beyond their comfort zones.[..]&#8221; p12 </strong></p>
<p>The diagram referred to shows some ICT tasks in a grid with four quadrants &#8211; the top left shows tasks which are &#8216;&#8221;Familiar&#8221; / &#8220;Not comfortable using&#8221;  and includes &#8220;Using social networks such as Facebook as a formal part of the course&#8221;, but the task &#8220;Using existing online social networks to discuss work&#8221; is shown in the bottom right quadrant &#8220;Unfamiliar&#8221; / &#8220;Comfortable with using&#8221; &#8211; how can this be, what do they mean? Sadly the document lets us down here, with no reference to a source, unlike the bulk of the work. A report of this significance needs to be of the highest quality of it is to be convincing.</p>
<p><strong>&#8220;3.19 [..] iv. where students tend to learn almost entirely at a distance (e.g. The Open University and the student base the UK e-university aimed for) high quality, purpose written, online materials and high quality online support services are essential;&#8221; p13</strong></p>
<p>I agree in part, but what does &#8220;tend to learn almost entirely as a distance&#8221; mean? Is it not the case that  learning materials and support for face-to-face learning should be of similar standard? The unspoken assumption is that learning at a distance is solitary and thus the materials and support must compensate for the lack of &#8216;learning conversation&#8217; &#8211; this is simply not the case in the modern social web.</p>
<p>We have had extensive experience over five years of fully online provision in the Ultraversity project where &#8220;purpose written, online materials&#8221; have been minimal. This has led to no lack of quality, as the guidance and support is generated through dialogue shared by a cohort of students &#8211; the online community of inquiry. Authoritative sources, journals and textbooks including key professional documents, are available widely on the internet and can be engaged with rigorously, critcially and comprehensively. This way of organising learning is most effective in that it also sets up the student for further lifelong learning.</p>
<p><strong>&#8220;3.28 [..] The e-university was ahead of its time but the UK can learn from its mistakes and it is not too late to try again to address the demand for virtual, largely on-line education in the UK and<br />
elsewhere. [..]&#8220;  p15</strong></p>
<p>I think not &#8211; the e-university did not take a visionary nor innovative approach in my view and was not at all ahead of its time, but tried to take old approaches into new technology with minimal account of growing evidence of the efficacy of new models of online learning.</p>
<p>For the sake of my tax bill please lets not try again without considerably more care and wisdom!</p>
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		<title>YouTube</title>
		<link>http://blog.richardmillwood.net/2008/08/04/youtube/</link>
		<comments>http://blog.richardmillwood.net/2008/08/04/youtube/#comments</comments>
		<pubDate>Mon, 04 Aug 2008 14:04:07 +0000</pubDate>
		<dc:creator>Richard Millwood</dc:creator>
				<category><![CDATA[Digital Creativity]]></category>
		<category><![CDATA[delight]]></category>
		<category><![CDATA[digital creativity]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://blog.richardmillwood.net/?p=92</guid>
		<description><![CDATA[This was the best hour or so I&#8217;ve spent on YouTube&#8230;.  about YouTube. It helped me to see development and change happening in YouTube usage and to feel that there is still a way to go to be mature as a population online, but what an exciting journey? Much more insightful debate at the Digital [...]]]></description>
			<content:encoded><![CDATA[<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="wmode" value="transparent" /><param name="allowFullScreen" value="true" /><param name="src" value="http://www.youtube.com/v/TPAO-lZ4_hU&amp;hl=en&amp;fs=1" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/TPAO-lZ4_hU&amp;hl=en&amp;fs=1" allowfullscreen="true" wmode="transparent"></embed></object></p>
<p>This was the best hour or so I&#8217;ve spent on YouTube&#8230;.  about YouTube.</p>
<p>It helped me to see development and change happening in YouTube usage and to feel that there is still a way to go to be mature as a population online, but what an exciting journey?</p>
<p>Much more insightful debate at the <a title="Digital Ethnography" href="http://mediatedcultures.net/ksudigg/" target="_blank">Digital Ethnography blog</a>.</p>
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		<title>Surprise, surprise</title>
		<link>http://blog.richardmillwood.net/2008/05/25/surprise-surprise/</link>
		<comments>http://blog.richardmillwood.net/2008/05/25/surprise-surprise/#comments</comments>
		<pubDate>Sun, 25 May 2008 13:17:47 +0000</pubDate>
		<dc:creator>Richard Millwood</dc:creator>
				<category><![CDATA[Inter-Disciplinary Inquiry-Based Learning]]></category>
		<category><![CDATA[Uncategorised]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[assessment]]></category>
		<category><![CDATA[delight]]></category>
		<category><![CDATA[digital creativity]]></category>
		<category><![CDATA[well-being]]></category>

		<guid isPermaLink="false">http://blog.richardmillwood.net/?p=74</guid>
		<description><![CDATA[Tara Brabazon in the Times Higher Education Supplement when discussing coursework masters degree courses: &#8220;They are squeezed between the crowd control of undergraduate education and the over-bureaucratised doctoral programmes that dislodge the historically functional relationship between a PhD candidate and supervisor.&#8221; She draws attention to the remarkable creativity of her students, when unleashed with a [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Tara Brabazon in the THES - The gift of surprise" href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=402008&amp;c=1" target="_blank"><img class="alignnone size-full wp-image-75" title="THES logo" src="http://blog.richardmillwood.net/wp-content/uploads/2008/05/thes-logo.gif" alt="Times Higher Educational Supplement logo" width="136" height="113" /></a></p>
<p>Tara Brabazon <a title="Tara Brabazon in the THES - The gift of surprise" href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=402008&amp;c=1" target="_blank">in the Times Higher Education Supplement</a> when discussing coursework masters degree courses:</p>
<blockquote><p>&#8220;They are squeezed between the crowd control of undergraduate education and the over-bureaucratised doctoral programmes that dislodge the historically functional relationship between a PhD candidate and supervisor.&#8221;</p></blockquote>
<p>She draws attention to the remarkable creativity of her students, when unleashed with  a little flexibility:</p>
<blockquote><p>&#8220;Although there is a science – and craft – to curriculum, we never know how our students will remix our aims and riff off our structure to create melodies and syncopations beyond our lesson plans.&#8221;</p></blockquote>
<p>I know what she&#8217;s talking about and we have designed this thinking in to our <a title="A University for Improvement" href="http://blog.richardmillwood.net/2008/05/14/a-university-for-improvement/" target="_blank">new degree framework for batchelors, masters and doctorate</a> at the <a title="The Institute for Educational Cybernetics at the University of Bolton" href="http://www.bolton.ac.uk/iec" target="_blank">University of Bolton</a>.</p>
<p>Although her article is flowery in its language and this begins to grate as I get to the end, the sentiments and concepts are important:</p>
<blockquote><p>&#8220;These students want a second chance to remake their careers and lives. Their enthusiasm is contagious, and their examples show that change and creativity emerges when courageous students decide to live their lives differently.&#8221;</p></blockquote>
<p>Our take on this fertile opportunity is <a title="Inter-Disciplinary Inquiry-Based Learning project at the University of Bolton" href="http://idibl.bolton.ac.uk" target="_blank">Inter-disciplinary inquiry-based learning</a> founded in an action research philosophy.</p>
<p>At this point in her article, Tara switches to talking about the link between research and teaching, through the students&#8217; inquiry referencing the HEA report <a title="HEA report 'Linking Teaching and Research in Disciplines and Departments'" href="http://www.heacademy.ac.uk/ourwork/research/teaching" target="_blank">Linking Teaching and Research in Disciplines and Departments.</a></p>
<p>My worry is that this paper, and her language, are not radical enough in conceiving students as co-researchers in the 21st century. Surely now, ivory-tower academic authority is no longer seen as the know-it-all top of the pyramid (to mix a few metaphors myself), but still has a vital role to play in gathering the best, modelling excellence and rigour and wisely critiquing and deferring to the evidence base from professional practice.</p>
<p>Tara pleas:</p>
<blockquote><p>&#8220;I hope that through the stress and the marking, the stress and the moderation, the stress and the exam boards, academics feel buoyant at their teaching achievements but humbly reflective about what our students can teach us.&#8221;</p></blockquote>
<p>Agreed, and I suggest we should focus on how to make these important teaching acts as delightful and stress free as possible.</p>
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