Tag Archives: design

Wearable Electronics Workshop

 

Richard explaining Doireann Wallace's musical glove at the Wearable Electronics Workshop exhibition April 26 2017

Richard explaining Doireann Wallace’s musical glove at the Wearable Electronics Workshop exhibition April 26 2017

This is the story of the Wearable Electronics Workshop, given by MAKESHOP by Science Gallery Dublin in March and April 2017, in collaboration with the School of Computer Science and Statistics, Trinity College Dublin.

In 2015, I was introduced to the idea of ‘pimping your badge’ at a conference by friend Mags Amond.

Mags Amond in Rang na bhFéileacán

Mags Amond in Rang na bhFéileacán

It involved adding a watch battery and an LED (light emitting diode) to my conference badge to make it light up – my first wearable electronics!

Conference badge with LED and watch battery

Mags was later to get involved in the workshop to introduce some basic ideas about circuits.

That Christmas, at my annual birthday party, I gave similar treatment to a bow tie, and it was well received.

Bow tie with LED lights

Bow tie with LED lights

The following summer (2016) I found myself in St Vincent’s hospital in Dublin, having my heart checked out when experiencing a rare irregular heartbeat (arrhythmia). The time in the hospital was short, since I proved to be in robust health, but enough to stimulate an idea for another wearable electronic – something driven by my own pulse:

 

The experience stimulated the following design, ‘LED by the heart’, which pleased me, so I resolved to try and make something wearable with it.

'LED by the heart' - a design based on the symbol for an LED (Light Emitting Diode)

‘LED by the heart’ – a design based on the symbol for an LED (Light Emitting Diode)

Feeling a little worried that it might be hard work, I sought friends and advice. My good friend at Trinity College Dublin, Doireann Wallace, offered support and interest, and later helped me to invite all my party guests in Christmas 2016 to complete and wear a glowy wearable. Doireann kindly prepared for this by cutting felt into Christmas shapes and stitching battery pockets for the partygoers to assemble.

Felt fir trees for glowy Christmas badges

Felt fir trees for glowy Christmas badges

Friends wearing their glowies at the party

On a hunt for new components and advice, I visited the MAKESHOP by Science Gallery here in Dublin. There, I got into a conversation with Jessica Stanley, who runs electronics workshops for them, and as luck would have it, had a background in wearable electronics. She had wanted to offer a course on this for some time, so I promised to help by finding some other participants.

Then I came across the Trinity College Dublin Visual Arts and Performance Fund. I made an application, and the committee were kind enough to sponsor our course. So in March 2017, we recruited participants to join us: some had craft experience, others programming and design knowledge – all were keen to know more.

Working together, with Jessica’s supportive and knowledgeable leadership, we each made artefacts to be proud of. Over six weeks of Wednesday evenings in the MAKESHOP we learnt to sew conductive thread, programme micro-controllers and solder circuits, as well as make sense of the exciting electronic components we could combine with interesting fabrics in our designs

Finally we demonstrated our work in an exhibition in the Science Gallery on April 26th 2017:

Doireann’s glove instrument

Susan Reardon's jacket

Susan Reardon’s jacket

John Hegarty's bowler hat

John Hegarty’s bowler hat

Una O'Malley's scarf with loudspeakers

Una O’Malley’s scarf with loudspeakers

Katrina Enros' badge

Katrina Enros’ badge

Caroline Kelly wearing her necklace made with handmade felt, slices of stalactite and LEDs next to Richard Millwood wearing his LED lit bowtie, braces and beating 'LED by the heart' decoration

Caroline Kelly wearing her necklace made with handmade felt, slices of stalactite and LEDs next to Richard Millwood wearing his LED lit bowtie, braces and beating ‘LED by the heart’ decoration

I am now wondering how far this can go.

The initial premise was for me to find a course to fulfil my own creative aspiration. I now think that it may be a route to learning about programming and technology, starting with our desire to be crafty and creative, building from where we are already comfortable in making things, to add a desirable electronic aesthetic dimension. Having broken the ice with this encounter, perhaps participants will find a better relationship with  programming and technology, or at least a greater clarity about how such things work.

So now I feel it may be the basis for an adult education model, and so intend to pursue this as an idea for Art teachers, working with the Art Teachers Association of Ireland and the National College of Art and Design and of course MAKESHOP!

I also think it may be interesting to explore the idea with a more general public, by seeking support from Enterprise Ireland to establish feasibility.

Personally I am now the proud owner of two Adafruit Flora Arduinos – small computers usually called micro-controllers, two BBC Microbit computers and lots of lovely LED swag – I can’t wait to make the next mad idea come to fruition!

Thanks to Doireann Wallace & Jessica Stanley for working with me, to all the participants for working so hard and to Nadine McDonogh Cunningham & Rozenn Dahyot for the photographs.

Analysis of a single interaction

I revived this Analysis of a single interaction recently thanks to a PhD student who is working on user-centred design. It was first developed in 1988 based on Donald Norman’s work, applied to the kind of computer software we were designing then. The ‘concept keyboard’ mentioned was a programmable touch pad from that era which enjoyed considerable popularity as it allowed an interface based on the developer’s own visual layout, suitable for younger and special needs pupils – a precursor of the iPad!

Royal College of Art Show

RCA show - design products

Platform 8:

“The Chinese Government has recently commissioned the building of more than 1600 new design colleges, with a view to ending the division between the design of an object and its production.”

This was a very small part of an astonishing show in a large tent in Hyde Park, over the road from the Royal College of Art. The students on the MA Product Design had been organised into six ‘platforms’, focii led by their tutors. The words quoted above, from the Platform 8 poster they were giving away, are fascinating in the context of Stan Ower’s work around the culture of tools and gives me food for thought as I prepare for the next Owers Lecture.